Exclusive - Barack Obama Still Nursing Wounds of Imperialism

Exclusive - Barack Obama Still Nursing Wounds of Imperialism
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Exclusive - Barack Obama Still Nursing Wounds of Imperialism

Exclusive - Barack Obama Still Nursing Wounds of Imperialism

THE WORLD AS IT IS
By Ben Rhodes
Publisher: Bodley Head
480 pages

Ben Rhodes’ semi-memoirs starts with a quotation from Ernest Hemingway’s “The Old Man and the Sea”, stating that no man is ever alone in the sea. Rhodes then takes 480 pages to introduce us to a young man who is all at sea. The young man in question, well sort of young, is Barack Hussein Obama who was Rhodes’ boss for almost a decade, first as a junior Senator from Illinois and then as President of the United States. Rhodes initially served as a jack-of-all trades in Obama’s first presidential campaign but rose to become the president’s chief speech-writer and then as Deputy National Security Adviser, a position that gave him a rare spot at the White House coalface.

Despite his penchant for self-aggrandizement, an affliction of many Americans in public service, Rhodes’ narrative is interesting precisely because he was mostly a bit-player with no prospects for an independent career of his own in American politics. That enabled him to cast himself as an observer of the circus of which Obama was the ring master.

It took Rhodes little time to understand Obama, the real Obama, a synthetic product of American contradictions who knows how to survive and even prosper in a political system in which perception is often more important than reality. It didn’t matter who you were and what you believed in, if anything; what mattered was how you were seen and what you could market as your beliefs. Rhodes writes “Obama’s language sounded authentic” and that “his politics seemed moral.” The key words here are “sounded” and “seemed.”

Rhodes recalls a chat with one of Obama’s senior advisers who is concerned about the candidate’s lack of any knowledge of foreign policy and dismisses his youthful entourage as equally ignorant. “No one out there knows anything about foreign policy,” the adviser laments to Rhodes.

Rhodes, however, isn’t concerned. He writes: “We wanted a hero”, at a time that the US needed a leader and the American voters believed they were choosing a president.

Because Obama had little of substance to offer, except his synthetic charm, Rhodes tries to exploit his idol’s “complexity” as a factor that attenuates his intellectual shallowness. We are reminded that Obama was born in Hawaii, which had once been a US colony and thus still nursing the wounds of Imperialism, and that his father had been a Muslim from the Luo tribe in Kenya, a tribe that had suffered at the hands of British colonialism and, after Kenya’s independence, humiliated by the bigger tribe of the Kikuyus. Further, Obama’s step-father had been a Muslim from Indonesia, a country that had suffered from Dutch Imperialism and where Obama spent his boyhood and early youth. According to Rhodes, Obama’s multiple identities gave him “a different world view.”

Different from what? You might ask. Here is Rhodes’ answer “His views did not necessarily reflect those of the US government.”

In other words, the man chosen to represent the US government didn’t share that government’s views. He was his own man, a free spirit who could do what he liked. Only, we know that he couldn’t do what he liked because the US Government, notably the House of Representatives and the Senate, wouldn’t let him.

So what did he do? Rhodes says: “He turned to speeches to reorient American foreign policy.” Hillary Clinton, the erstwhile rival who became Obama’s Secretary of State, put it more starkly: “Whenever there was a crisis, Obama made a speech.” Rhodes wrote most of those speeches without having a clue about the subjects covered, mostly by googling things on the Internet.

Rhodes reveals that Obama and his entourage knew almost nothing about the Middle East, beyond a few quotations from” Lawrence of Arabia”, the David Lean film not the writings of the British agent who had been a master of self-promotion.

Early in his presidency, Obama told Rhodes that “the problems are in the Arab world” and decided to do something about it. That “something” was a grand visit to Cairo, the Egyptian capital, to deliver a speech aimed at flattering Muslims but asking them to adopt the Greater Middle East agenda worked under President George W Bush after the “liberation of Iraq”. The difference, however, was that Bush had preached the gospel of Jeffersonian democracy while Obama, who didn’t share such “American prejudices”, believed that the corrupt West wasn’t a model and that Muslims should do their own Islamic thing, whatever that meant.

In his Cairo speech, Obama condemned the Western model in these terms: “In the West there is a mindless violence, a crude sexuality, a lack of reverence for life, a glorification of materialism”. Worse still, according to Obama, the West, and the US in particular, had been guilty of trying to dictate to others and intervene in their affairs, a claim he repeated in his epistolary attempt at wooing Ayatollah Ali Khamenei the Islamic Republic’s “Supreme Guide.”

Later, Obama told Rhodes that “if democracy comes to Egypt, the Muslim Brotherhood will win.” We now know that his prediction wasn’t exact. In the first post-Mubarak presidential election, Mohammad Morsi the Muslim Brotherhood’s candidate, attracted the votes of fewer than 10 per cent of the Egyptian electorate. Morsi won in the second round by attracting most of the protest vote against a background of strong support from Washington.

Obama played a key role in forcing President Hosni Mubarak out of office, triggering the Egyptian crisis. Rhodes shows how Obama sent a special emissary, the seasoned diplomat Frank Wisner, to Cairo to persuade Mubarak to prepare for a transition of unspecified length instead of trying to crush the protesters. Thinking that he was now leading a strategy backed by the US, Mubarak complied until it was too late for a shift to containment of the crowds. At that time, Obama phoned Mubarak and openly asked him to step down as president. His claim that the US shouldn’t intervene in the affairs of others was thrown into the dustbin. Interestingly, Rhodes tells us that the hapless emissary, Wisner, hadn’t been told of the president’s shenanigans. That was no surprise as Wisner represented the “US Government” which Obama regarded as a negative force in world politics.

When news comes that Mubarak is out, Obama says “I feel good, I didn’t know him”, as if foreign leaders should be judged on the basis of their intimacy with him. Obama then adds: “If it had been King Abdullah of Jordan, I don’t know if I would have done the same thing.”

Obama’s sympathy for the Muslim Brotherhood and his own Muslim background didn’t necessarily make him sympathetic to Islam and Muslims; Sympathy came because he thought them to be anti-American.

Rhodes recalls an anecdote that Obama liked to repeat about the time that, as a child, he had spent in Pakistan with his “white” American mother. He recalls that his mother had entered a lift wearing cool clothing and no hijab. A young Pakistani man had entered the lift on one of the floors and, seeing that a woman, though of a certain age, was scantily clad had started to sweat so hard that he had been obliged to step out at the next floor.
In Obama’s view, Muslim men were obsessed with sex.

Rhodes claims that “Hezbollah” and Palestinians, especially “Hamas” supporters, loved Obama but, he notes, that “He didn’t do anything tangible for the Palestinians.” In fact, Obama had appointed the Democrat, former Senator George Mitchell, as his special envoy for Middle East with a brief to help create a Palestinian state within a year. However, Obama had soon forgotten the whole thing and never gave Mitchell access even to report on what was going on. Not surprisingly, Mitchel isn’t mentioned at all in Rhodes’ tome.

Rhodes shows that two things mattered most to Obama.

The first was what advantage he could claim by doing anything. Although he is of mixed black-and-white ethnicity, sometimes in his 30s he decided to cast himself as completely black to secure the votes of African-Americans as a bloc. He didn’t realize that he had been a victim of the cult of appearance, and that ”whiteness” and “blackness” were not matters solely of the color of your skin. You could be black in appearance but “white” in culture, taste, body-language and even beliefs and prejudices. In contrast you could have a dark skin and be whiter-than-white in character. To reduce a man, or a woman, to skin color, is simply idiotic.

The second stratagem that Obama adopted followed the first. He wanted to appear as a champion of “victims” real or imagined, a target he tried to hit with a series of symbolic gestures, including a bizarre tour of cities in Laos, Vietnam and Japan that the US had bombed during various wars. At each stop he made a speech, apologizing for what the US had done, much to the amazement of the ”natives” who knew that no war is one sided and that their nations too, were not as snow-white as Obama pretended.

It was also Obama’s belief that Iran had been a victim of American bullying that persuaded him to trample US and international law by pushing through his “nuclear deal”, certain to become a classical example of diplomatic subterfuge.

Obama’s embrace of the Venezuelan “strongman” Hugo Chavez, at a time that the latter was uprooting his nation’s democratic institutions, and the pas-de-deux to woo Cuba’s Raoul Castro, presiding over the biggest political prison in Latin America, were also prompted by the same “sympathy for the victims” of American Imperialism.

However, he never forgot the need to win votes. Before his second-term election, Obama secured a state visit to the United Kingdom to be received by the Queen.

According to Rhodes Obama believed that an audience with by the Queen, with full genuflections and hand-kissing, was “perfect, and will be a great validator for us with the White people.”

During Obama’s stay at Buckingham Palace, the US security found out that mice were roaming in the suite assigned to the President and his wife Michelle.

Rhodes quips “May be this is a dying Empire!” Obama replies “Just don’t tell the First Lady!”

Obama emerges from Rhodes’ portrayal as a reluctant, if not actually self-loathing, American. At one time, Obama compared the United Sates with the Mongol chief Chengiz Khan who conquered a big chunk of the world thanks to overwhelming violence.

“The difference is that the Mongols didn’t have our bombs,” Obama quipped. “But they had good horsemanship.”

Rhodes implies that he understands Obama’s dislike of America by saying the he himself is “a self-loathing Jew, maybe half self-loathing.”

Towards the end of his presidency Obama is asked by Rhodes and others in the entourage to define “The Obama Doctrine”, something that his admirers in the American media had invented.

“What is the Obama Doctrine?” he repeats the question. The answer is: ”Don’t do stupid shit!” Does this mean that he did “intelligent shit”?

According to Rhodes, Obama told him: “Our job is to tell a really good story about who we are.”

Well, Rhodes, who seems to have the talents of a writer of fiction, has taken the advice of his master and mentor; and the story he tells is a good one. It is also a sobering reminder of how vulnerable even a mature a democracy is.



Saudi Arabia Hosts its First Opera, Zarqa Al Yamamah, in Riyadh

The King Fahd Cultural Center witnessed the performance of Zarqa Al Yamamah opera, the first Saudi operatic work. (SPA)
The King Fahd Cultural Center witnessed the performance of Zarqa Al Yamamah opera, the first Saudi operatic work. (SPA)
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Saudi Arabia Hosts its First Opera, Zarqa Al Yamamah, in Riyadh

The King Fahd Cultural Center witnessed the performance of Zarqa Al Yamamah opera, the first Saudi operatic work. (SPA)
The King Fahd Cultural Center witnessed the performance of Zarqa Al Yamamah opera, the first Saudi operatic work. (SPA)

The King Fahd Cultural Center witnessed the performance of Zarqa Al Yamamah opera, the first Saudi operatic work with an international flavor, the Saudi Press Agency said on Friday.
The opera summons the history of defunct nations, to study the reasons for their demise, and provides an interpretation of one of the ancient legends in the Arabian Peninsula.
The opera tells the story of a woman from the Jadis tribe who lived in the pre-Islamic era, in the Yamamah region in the center of the Arabian Peninsula. It's about the dispute that erupted between the Jadis and Tasim tribes, which ended tragically, as Zarqa Al-Yamamah tried to warn her people of the arrival of the enemy, but they did not listen to her.
This operatic work is shaped in a contemporary art form, full of dramatic turns, emotional moments and dramatic events. It presents a different cultural experience full of suspense and touching tragedy.
The opera "Zarqa Al Yamamah" is receiving great local and international attention, as it includes many well-known international names, including Sarah Connolly, Alexandar Stefanovsky, George von Bergen and others. Some promising Saudi talents have also participated in the work, including Khairan Al-Zahrani, Sawsan Al-Bahiti and Rimaz Aqbi.
The opera's art director is Ivan Vukcevich, while the theater director is Daniel Vinzi Paska. Pablo Gonzalez conducts the Dresden Sinfoniker Orchestra with the Czech Philharmonic Choir of Brno.
Some Arabic musical instruments were used in the opera's soundtrack, such as the oud. This has provided a mixture of Western operatic music and Arab music, which represents Saudi culture.


Spain Abolishes National Bullfighting Award in Cultural Shift

Spanish bullfighter Juan Ortega fights the 528kg bull 'Vivaracho' bull during a bullfight in the Plaza Monumental of Aguascalientes, in Aguascalientes, Mexico, 28 April 2024.  EPA/Tadeo Alcina
Spanish bullfighter Juan Ortega fights the 528kg bull 'Vivaracho' bull during a bullfight in the Plaza Monumental of Aguascalientes, in Aguascalientes, Mexico, 28 April 2024. EPA/Tadeo Alcina
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Spain Abolishes National Bullfighting Award in Cultural Shift

Spanish bullfighter Juan Ortega fights the 528kg bull 'Vivaracho' bull during a bullfight in the Plaza Monumental of Aguascalientes, in Aguascalientes, Mexico, 28 April 2024.  EPA/Tadeo Alcina
Spanish bullfighter Juan Ortega fights the 528kg bull 'Vivaracho' bull during a bullfight in the Plaza Monumental of Aguascalientes, in Aguascalientes, Mexico, 28 April 2024. EPA/Tadeo Alcina

Spain scrapped an annual bullfighting award on Friday, prompting a rebuke from conservatives over a backlash against a centuries-old tradition they see as an art form but which has run into growing concern for animal welfare.
Spanish-style bullfighting, in which the animal usually ends up killed by a sword thrust by a matador in shining garb, is for supporters a cultural tradition to be preserved, while critics call it a cruel ritual with no place in modern society, Reuters reported.
The Culture Ministry said it based its decision to abolish the award on the "new social and cultural reality in Spain" where worries about animal welfare have risen while attendance at most bullrings has declined.
"I think that's the feeling of a majority of Spaniards who can understand less and less why animal torture is practiced in our country..., and much less why that torture gets awarded with public money," Culture Minister Ernest Urtasun said on X.
The national award came in the form of a 30,000-euro ($32,217) government check and has been bestowed on famous bullfighters such as Julian Lopez, known as "El Juli", or cultural associations related to the bullfighting tradition.
It has recently become a defining issue in Spain's culture wars, pitting left-wing parties such as Sumar, to which Urtasun belongs, against right-wing conservatives who support the tradition.
Borja Semper, spokesperson for the opposition conservative People's Party, told reporters the government move showed that it "does not believe in cultural diversity or liberty", and that his party would reinstate the award whenever it regained power.
The PP leader of the Aragon region, Jorge Azcon, said it would introduce another award. "Tradition should be something that unites us rather than divides," he said.
Opposition to bullfighting has also grown in Latin America, where the tradition was exported in the 16th century, and in southern France, where it spread in the 19th century.
In Spain, the average bullfighting aficionado has gotten older and the number of bullfighting festivals dropped by a third between 2010 and 2023.


Parched Philippine Dam Reveals Centuries-Old Town, Luring Tourists

 A drone view shows a centuries-old sunken town that reemerged amid extreme heat in Pantabangan, Nueva Ecija, Philippines, May 2, 2024. (Reuters)
A drone view shows a centuries-old sunken town that reemerged amid extreme heat in Pantabangan, Nueva Ecija, Philippines, May 2, 2024. (Reuters)
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Parched Philippine Dam Reveals Centuries-Old Town, Luring Tourists

 A drone view shows a centuries-old sunken town that reemerged amid extreme heat in Pantabangan, Nueva Ecija, Philippines, May 2, 2024. (Reuters)
A drone view shows a centuries-old sunken town that reemerged amid extreme heat in Pantabangan, Nueva Ecija, Philippines, May 2, 2024. (Reuters)

Ruins of a centuries-old town have emerged at a dam parched by drought in northern Philippines, giving residents a rare spectacle and an extra source of income in a region dependent on rice-growing.

Following a prolonged spell with little rain, the dried-up dam has revealed parts of a sunken church and foundations of old structures from the old town in Nueva Ecija province in recent weeks.

"When I heard about the sunken church of old Pantabangan town resurfacing, I got excited and wanted to see it," said 61-year-old retired nurse Aurea Delos Santos.

Some locals have cashed in on the attraction, ferrying tourists to the island. "Back then, I was only earning 200 pesos ($3.50) from fishing, but when the tourists arrived, I'm earning 1,500 to 1,800 per day," said fisherman Nelson Dellera.

The old town was relocated in the 1970s during the construction of a dam, which now serves as the main irrigation and water source for Nueva Ecija and nearby provinces, according to the local government.

The Philippines and other countries in Southeast Asia have been grappling with extreme heat, prompting schools to suspend classes and governments to urge people to stay indoors to prevent heat stroke.


Looted Gold, Royal Treasures Go on Show Back Home in Ghana

 Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)
Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)
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Looted Gold, Royal Treasures Go on Show Back Home in Ghana

 Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)
Looted artifacts returned by British and American museums are displayed to the public for the first time at the Manhyia Palace in Kumasi, Ghana, May 1, 2024. (Reuters)

Gold neck discs, a sword, a royal chair and dozens of other treasures looted during British colonial rule went on show in Ghana this week for the first time since their historic return.

People travelled from across the West African country to see the repatriated plunder in the city of Kumasi, the seat of Asante King Otumfuo Osei Tutu II, known as the Asantehene.

"The items that came back are virtually the soul of the people of Asante," the monarch said at the exhibition, which marks his silver jubilee.

The gold regalia was looted during Britain's 1821-1957 colonization of what is now Ghana, much of it taken during violent battles with the Asante kingdom and placed in museums.

London's British and Victoria & Albert museums, and the Fowler Museum at the University of California, sent the artefacts back earlier this year - part of a growing move by Western institutions to reexamine colonial legacies.

Negotiations to return the items took more than 50 years, the Asantehene said.

Other museums in the US and Europe have agreed to hand back treasures taken from the Kingdom of Benin in modern-day Nigeria and received requests for returns from other states across the continent, including Egypt and Ethiopia.

"Most of our things are not written, they are expressed in the art we see," documentary-maker Lawer Akunor said at the show.

"Bringing these (back) is bringing the history to whom it belongs."

Most of the 42 items on display at Kumasi's Manhyia Palace Museum were taken during five battles between the Asante Kingdom and Britain known as the Anglo-Asante wars. Many were pillaged directly from the Asante palace.

Some of Britain's main national museums are banned by law from handing over or disposing of the bulk of their collections. So 32 objects from the British Museum and the Victoria & Albert Museum (V&A) are in Ghana on loan.

"We acknowledge the very painful history surrounding the acquisition of these objects. A history tainted by the scars of imperial conflict and colonialism," V&A Director Tristram Hunt said at the opening.

The V&A has loaned 17 items to the Manhyia museum for three years, with the possibility of another three-year renewal. Objects include a gold peace pipe and gold discs worn during royal ceremonies.

Sculptor Gabriel Bekoe said he was inspired by the display.

"Seeing them will help me know what I used to be and that will influence the ideas and concepts I build afterward," he said.


Senegal Tapestry Production Finds New Lease of Life

Senegalese tapestries adorn the walls of organizations the world over. JOHN WESSELS / AFP
Senegalese tapestries adorn the walls of organizations the world over. JOHN WESSELS / AFP
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Senegal Tapestry Production Finds New Lease of Life

Senegalese tapestries adorn the walls of organizations the world over. JOHN WESSELS / AFP
Senegalese tapestries adorn the walls of organizations the world over. JOHN WESSELS / AFP

After cutting away the loose woolen threads from his loom, 28-year-old Senegalese weaver Seydina Oumar Cisse turns the roll to watch the tapestry gradually take shape before his eyes.
Everything from the colors to the design is identical to the original work created by Senegalese artist Cheikh Diouf.
"It's very satisfying," Cisse said, seeing the result of six months' work for the first time.
Cisse is a weaver at the Senegalese manufacturers of decorative arts in the central city of Thies, a leading producer of high quality artistic goods on the African continent.
The establishment's creations adorn the walls of organizations the world over, from the UN headquarters in New York to the African Union in Addis Ababa, as well as the palaces of numerous heads of state.
Tapestry production in Thies was a flagship cultural policy of Senegal's first president, poet Leopold Sedar Senghor, with production now revitalized thanks to a broadening of operations and new partnerships, including with fashion giant Chanel.
The creations are "attracting renewed interest, driven locally by galleries with international stature and a resurgence of interest in textiles and tapestries" on the art market, said Coline Desportes, a researcher at the national institute of art history (INHA).
'Symbiosis of techniques'
Senghor established national tapestry production in Thies in 1966, six years after Senegal gained independence from France, with the goal of "creating a new art for a new nation".
While weaving techniques had previously proved popular in African clothing designs, the art of wall tapestries was little known in Senegal.
Two years before production got underway, four craftsmen headed to France for specialized training, with the new art form representing "the symbiosis of techniques imported from France and traditional culture," according to Senghor.
Over the years the former president's legacy has been kept alive, but not without difficulty.
The state reduced support after Senghor's departure and tapestries went out of fashion, leading production in Thies to almost disappear before orders picked up again in the 2000s.
In the weaving workshops, situated within the white and green walls of former army barracks, the weavers have no room for error.
Each meticulously follows the cardboard lines on their looms, using wool from Europe and cotton from Thies to trace their designs.
'Cultural powerhouse'
Not far away, a group of about 30 American school students listen to a talk given by the head of the cardboard workshop, where the models which guide the weaving process are produced.
The establishment now welcomes tourists and film crews onto the premises, evidencing its commitment to diversifying operations.
Fourteen rooms will soon be available for visitors, as well as an artists' residence, managing director Aloyse Diouf said.
"We want to turn the manufacturers into a cultural powerhouse, a link between art and tourism," he added, although government commissions remain essential to keeping production afloat.
"Tapestry is not necessarily linked to our history and has remained mainly elitist -- it is mainly the authorities who buy tapestries to contribute to Senegal's artistic influence," Diouf said.
"The ownership of this art form by the Senegalese is a long-term project that we are developing by inviting schools to visit the factories".
The establishment now also produces prayer rugs, batik and ceramics, which are slightly more affordable for the Senegalese than the wall tapestries, which cost 1.5 million CFA francs ($2,400) per square meter.


Paul Auster, US Author of The New York Trilogy, Dies Aged 77

US writer Paul Auster poses before a conference on literature at the Campus del Milán library, University of Oviedo, northern Spain October 19, 2006. (Reuters)
US writer Paul Auster poses before a conference on literature at the Campus del Milán library, University of Oviedo, northern Spain October 19, 2006. (Reuters)
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Paul Auster, US Author of The New York Trilogy, Dies Aged 77

US writer Paul Auster poses before a conference on literature at the Campus del Milán library, University of Oviedo, northern Spain October 19, 2006. (Reuters)
US writer Paul Auster poses before a conference on literature at the Campus del Milán library, University of Oviedo, northern Spain October 19, 2006. (Reuters)

US novelist and screenwriter Paul Auster died of complications from lung cancer at his home in Brooklyn on Tuesday evening aged 77, the New York Times reported, citing friend and author Jacki Lyden.

The New Jersey-born writer was known for a string of acclaimed works including "The New York Trilogy" and "The Book of Illusions".

"We are very sad to hear of the death of Booker Prize shortlistee Paul Auster, whose work touched readers and influenced writers all over the world, and whose generosity was felt in just as many quarters," the Booker Prizes posted on social media platform X.

The literary body shortlisted his book "4 3 2 1" for its award in 2017.

The author of more than 30 books, including poetry and memoirs, told Reuters in 2011 he liked to write by hand in notebooks and then produce the finished copy on a typewriter rather than a computer.

"I feel more alive when I'm working," he said.

"I am convinced that writing is a kind of illness. Who would want to spend his life sitting in a room, putting words on paper? It's a strange occupation. You got to have a great taste for solitude."


Saudi Arabia Launches Global AI Center for Arabic Language

“The Arabic Intelligence Center” is the first specialized artificial intelligence center for automated Arabic language processing (the King Salman Global Academy for Arabic Language)
“The Arabic Intelligence Center” is the first specialized artificial intelligence center for automated Arabic language processing (the King Salman Global Academy for Arabic Language)
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Saudi Arabia Launches Global AI Center for Arabic Language

“The Arabic Intelligence Center” is the first specialized artificial intelligence center for automated Arabic language processing (the King Salman Global Academy for Arabic Language)
“The Arabic Intelligence Center” is the first specialized artificial intelligence center for automated Arabic language processing (the King Salman Global Academy for Arabic Language)

Saudi Arabia has launched the world's first international center dedicated to enhancing the Arabic language using artificial intelligence (AI).

The center, known as the “Arabic Intelligence Center,” provides automated services and technical support for Arabic language processing.

It aims to strengthen Arabic in the digital realm, making it more competitive globally.

Operated by the King Salman Global Academy for Arabic Language from Riyadh, the center encourages research and innovation in language computing while offering specialized expertise and data infrastructure for AI-driven Arabic language applications.

Dr. Abdullah Al-Washmi, Secretary-General of the Academy, highlighted that the newly established center is the world’s first specialized hub for automated Arabic language processing.

It aims to enrich Arabic content using AI and support research, applications, and capabilities in AI and Arabic language fields.

The center also contributes to achieving the goals of Saudi Arabia’s national transformation plan, “Vision 2030,” aiming for global leadership in this area.

Its vision is to advance the Arabic language using AI, while its mission focuses on providing comprehensive services to empower users to enhance Arabic language leadership locally and globally.

Moreover, the center is made up of five main labs, each with its own role.

The center provides various services like technical and linguistic advice on AI-driven Arabic language processing. It also hosts meetings, courses, and offers licenses for researchers.

It supports studies aligned with its goals and aids in data tagging for joint research. The center aims to connect modern tech with Arabic, preserve the language, establish global linguistic standards, and enhance AI in Arabic language processing, both locally and globally.

The center aims to set and implement standards and rules for automating Arabic language processing.

It wants to foster impactful research and innovations in this field using AI and develop useful applications.

Also, it aims to train people to global standards and localize knowledge in Arabic language processing. By doing so, it hopes to compete with other languages.


Saudi Culture Minister Meets with French Minister for Europe and Foreign Affairs

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan met in Diriyah with French Minister for Europe and Foreign Affairs Stephane Séjournet. SPA
Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan met in Diriyah with French Minister for Europe and Foreign Affairs Stephane Séjournet. SPA
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Saudi Culture Minister Meets with French Minister for Europe and Foreign Affairs

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan met in Diriyah with French Minister for Europe and Foreign Affairs Stephane Séjournet. SPA
Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan met in Diriyah with French Minister for Europe and Foreign Affairs Stephane Séjournet. SPA

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan has met in Diriyah with French Minister for Europe and Foreign Affairs Stephane Séjournet.

Prince Badr praised the distinguished relations between Saudi Arabia and France, citing the existing work between the two countries in the cultural fields.

Monday’s meeting paid tribute to Saudi Arabia’s participation, represented by the Ministry of Culture, in the International Year of the Camelids march, which was organized on April 20 in Paris by the French Federation for the Development of Camels in France and Europe.

Also highlighted was the outcome of the recent meeting of the Saudi Culture Minister with French Minister of Culture Rachida Dati in which the most prominent areas of cooperation and cultural exchange between governmental and private institutions in both countries were highlighted.


Madinah Governor Inaugurates 12th Cultures and Peoples' Festival

Madinah Region Governor Prince Salman bin Sultan bin Abdulaziz inaugurated the 12th edition of the Cultures and Peoples' Festival- SPA
Madinah Region Governor Prince Salman bin Sultan bin Abdulaziz inaugurated the 12th edition of the Cultures and Peoples' Festival- SPA
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Madinah Governor Inaugurates 12th Cultures and Peoples' Festival

Madinah Region Governor Prince Salman bin Sultan bin Abdulaziz inaugurated the 12th edition of the Cultures and Peoples' Festival- SPA
Madinah Region Governor Prince Salman bin Sultan bin Abdulaziz inaugurated the 12th edition of the Cultures and Peoples' Festival- SPA

Madinah Region Governor Prince Salman bin Sultan bin Abdulaziz inaugurated the 12th edition of the Cultures and Peoples' Festival, organized by the Islamic University in Madinah, which will be held until May 6.
The governor visited the pavilions of the participating countries and was briefed on the festival's goal of promoting communication, unity, and understanding among peoples. The festival, which also fosters teamwork and promotes Islamic values, nurtures dialogue, coexistence, and peace among nations, and enhances communication between university students and the local community.
Speaking at the inauguration ceremony, Acting President of the Islamic University Dr. Hassan bin Abdulmunim Al-Oufi highlighted the fact that over 100,000 students from over 170 countries graduated from this university, and that they have played a crucial role in developing their societies and homelands.
Al-Oufi said that the festival brings together students from 95 countries, giving them a platform to showcase their cultures, customs, and traditions.
"The festival creates a harmonious and cooperative environment where the East and West unite on the university's premises," he said.
The festival covers an area of 7,000 square meters. Representatives of different countries present over 40 activities and events for families, children, and the community.
The Cultures and Peoples’ Festival is expected to attract over 100,000 visitors. Its wide range of events and activities includes celebrating Saudi Arabian coffee, Arabic poetry, cuisine, tea, and the Year of the Camel 2024. The festival also has entertainment, educational, and cultural corners that provide enriching experiences for visitors.


Saudi Arabia’s Museum of Contemporary Art Enriches Visitor Experience with Sound Resonance Series

The 'In the Night' exhibition, hosted by SAMoCA, presents the "Sound Resonance Series." SPA
The 'In the Night' exhibition, hosted by SAMoCA, presents the "Sound Resonance Series." SPA
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Saudi Arabia’s Museum of Contemporary Art Enriches Visitor Experience with Sound Resonance Series

The 'In the Night' exhibition, hosted by SAMoCA, presents the "Sound Resonance Series." SPA
The 'In the Night' exhibition, hosted by SAMoCA, presents the "Sound Resonance Series." SPA

The Saudi Arabia Museum of Contemporary Art (SAMoCA) has launched a series of new exhibitions and services that enrich the experience of art lovers and members of the community at the JAX District of Diriyah.

The 'In the Night' exhibition, hosted by SAMoCA, presents the "Sound Resonance Series", a unique vocal experience that invites participants to explore a harmonious blend of artistic expression, stillness, creativity and inspiration through the tunes of more than 20 instruments. A solo session was held on April 28 and three more will be held on May 2, 9, and 16.

SAMoCA is the Kingdom's first contemporary art museum; it seeks to build bridges between local and international artists and offers them the opportunity to exchange knowledge, communicate and grow, contributing to shaping the future of contemporary art in Saudi Arabia and the Arab region.